Imagine Music Festival is returning for their 5th run of the inviting weekend in Atlanta. The expeditious growth of the festival has them bringing in heavy hitters for their special celebration. This year we will see the sounds of Bassnectar, Kaskade, Armin Van Buuren, Galantis, and a plethora of more. We have seen many changes and advancements to the aquatic fairytale over the years; from the venue change to the growing number of tickets sold. From what started with 6,000 tickets sold in 2014, Imagine organically built a following; with over 30,000 attendees in 2016. We followed the festive event from its original location at 4th Ward Park to it’s now permanent location at Atlanta Motor Speedway. In 2015 and 2016, thatDROP hosted a Meet & Greet booth where fans were able to meet their favorite artists, get autographs, and snap a picture. The exciting attraction in 2015 saw the faces of Brillz, Morgan Page, The Glitch Mob, & ill.Gates; followed by 2016, which was full of laughs with Snails, Cosmic Gate, BTSM and Cazzette. Being Atlanta’s longest running EDM festival, & being such a special event, we thought it would be appropriate to take a look back at the fun over the past years. Take a walk with us through the history of Imagine Music Festival… 2014 – The start of it all… 2014 Lineup Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival Photo Credit – Imagine Music Festival 2015 – thatDROP.com Hosts First Meet & Greet Booth! 2015 Lineup Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – thatDROP.com Photo Credit – thatDROP.com Incendia fire dome Photo Credit – IMF Brillz – Photo Credit – thatDROP.com thatDROP Squad with The Glitch Mob – Photo Credit – thatDROP.com 2016 – Lets Do This Again! 2016 Lineup The Glitch Mob – Photo Credit – thatDROP.com Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – thatDROP.com BTSM Meet & Greet – Photo Credit – thatDROP.com 2017 – “This Ain’t Our First Rodeo” 2017 Lineup Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Photo Credit – IMF Chris & Becky Lyda, Iris Presents -Photo Credit – IMF 2018 – 5 Year Anniversary Join us, you won’t wanna miss this. 2018 Lineup See more on the 5th Anniversary Celebration HERE! We can’t wait to wiggle with you! Get your tickets HERE. Follow Imagine Music Festival 2018:
Along with full details about An American Treasure, a new Tom Petty box set that puts a spotlight on lesser known and previously unreleased songs, came the collection’s first single, “Keep a Little Soul,” an outtake from the sessions for 1982’s Long After Dark. Prior to the official announcement, a segment ran on CBS This Morning that offered a preview of the track and video, which features never-before-seen footage of Petty and the Heartbreakers. Petty’s widow Dana and daughter Adria reportedly found “a trove” of unreleased material while going through his storage and worked from there. “The criteria was songs that we all felt really said something about dad,” Adria told Anthony Mason on the show. “It’s such a strange thing to lose someone like him. He was much cooler than people could imagine. And I think a lot of people thought he was pretty cool.” You can watch the video below. In addition to Dana and Adria, who served as the box’s executive producers, longtime Heartbreakers Mike Campbell and Benmont Tench and Petty’s engineer Ryan Ulyate compiled the track listing. “Everyone involved in this project chose each track with tremendous care and deep respect for the body of work Tom Petty created over the course of 40 years,” the Pettys said. “He also accumulated a wealth of unreleased music in his vaults, and we have collectively uncovered one gem after another that will keep us all listening and discovering new facets of Tom’s talent for many years to come. We can’t wait to share with Tom’s fans this musical portrait of an artist who deeply affected our culture and indelibly touched the lives of fans the world over.” The Deluxe Edition of An American Treasure — which arrives on Sept. 28 — includes 60 tracks spread out over four CDs, with each devoted to a different decade. It includes a 52-page booklet with rare photos and track-by-track liner notes by Bud Scoppa, who drew upon previous interviews with Petty and new ones from his colleagues and family. A vinyl edition with six LPs will also be available on Nov. 23. A Super Deluxe Limited Edition adds 32 pages of photos and essays, a lithograph of Shepard Fairey’s artwork and replicas of Petty’s handwritten lyrics to four of the collection’s songs and a numbered certificate of authenticity. A two-disc Standard Edition contains 26 of the 60 songs, as well as Scoppa’s notes.
Iconic Italian DJ and producer Benny Benassi recently released his brand new single “Everybody Needs A Kiss”. The uptempo collaborative effort features commanding vocals from SOFI TUKKER, the popular New York-based musical duo. While Benny Benassi has been a prominent act within the dance music industry for more than twenty years, his massively successful hits like “Satisfaction” and “Cinema” brought him more mainstream success. With this latest effort, we see the talented act making use of a powerful melody and a horn-led hook to give fans another anthem. ‘Everybody Needs A Kiss’ Benassi shared that the collaboration came about not only because he and the members of SOFI TUKKER (Sophie Hawley-Weld & Tucker Halpern) have friends in common, but also because they happen to share the same record label. He also relayed that an earlier collaboration served as a segue for this latest work. “Earlier this year, I did a remix of “F*** They” [a SOFI TUKKER song], so we started talking, and then the music came together.” Benny was sure to credit some of the creative aspects of the song to the New York-based duo. “The main musical ideas came from Sofi Tukker. They sent the track to me and I produced it with my team. We worked on the sounds and the structure, as well as adding a melodic part.” Benny Benassi Benassi explained that while a collaboration will always be distinct because it fuses two artistic sounds, this track is simply unique. “There isn’t another song out there that sounds just like it.” For those of us waiting to hear more of his epic music, Benny was able to confirm that he hopes to have a few other new singles out later this year. Check out Benny Benassi and SOFI TUKKER on their socials, and be sure to stream “Everybody Needs A Kiss” on Soundcloud and Spotify. Follow Benny Benassi: Facebook | Instagram | Soundcloud | Twitter Follow SOFI TUKKER: Facebook | Instagram | Soundcloud | Twitter
Tool drummer Danny Carey joined old friends Primus onstage recently to cover Peter Gabriel’s track “Intruder.” The jam took place at the Greek Theater in Los Angeles and also included Mastodon drummer Brann Dailor. You can watch the performance below. It was something of a reunion for Carey, who stood in for Primus’ drummer Tim “Herb” Alexander in 2014 while he recovered from heart surgery. During that stint, Primus even covered Tool, delivering their version of “Ænema” on the road. “Intruder,” from Gabriel’s third album, 1983’s Peter Gabriel (Melt), is notable for popularizing the gated drum sound that Phil Collins, who played on the track, later used to great effect on “In the Air Tonight.” Tool fans continue to wait on a release date for the band’s fifth album, after the band began tracking material in the studio earlier this year. Despite Carey having predicted a May release, frontman Maynard James Keenan last month suggested it wouldn’t arrive until 2019. “A lot of work’s being done,” Keenan said. “I’ll go on record now saying you’re gonna see some new music next year.” Keenan’s comment followed an onstage explanation in which he referred to his bandmates. “I’m afraid of bananas and other forms of fruit, because eventually you wonderful people are going to run out of fucking patience,” he told the audience. “So I beg you Danny, Adam and Justin, please finish your parts so I can finish mine.” Primus recently completed a U.S. tour with Mastodon, in support of their latest album The Desaturating Seven, which was inspired by Ul Del Rico’s The Rainbow Goblins — a children’s book Primus frontman Les Claypool used to read to his kids. “The dark imagery and beauty of the art struck me immediately, and I thought, ‘This would make good fodder for a piece of music,'” he noted. “The use of color and darkness both in the paintings and the writing was compelling and now, near two decades later, the metaphor of greed, gluttony and deceit vs. unity of the masses is eerily relevant.”
Singer-songwriter Kat Cunning (Katrina Cunningham) creates charming music that is distinct and inspired. With a clear baroque-pop sound, Kat crafts innovative songs that are both lyrically smart and catchy. The multi-talented songstress had time to sit down with us at Firefly Music Festival 2018. Kat shared all, talking about her beginnings, her love for dance, musical influences and inspiration, and her hopes to break into the dance music scene. Kat Cunning Can you talk a bit about your hometown? A: I’m from Portland, Oregon and, growing up was awesome because Portland is a gorgeous place, though lots of people say they can’t handle it there because of the rain. There was a city near enough where I got really great dance training, and the ocean was also an hour away. It was a really great place to grow up and I reference it a lot in my writing, most often when I’m writing about anything that’s not about something from my life now or the last couple of years. Would you say your hometown is a muse for you? Yes, absolutely! I definitely romanticize it a bit. Were there any activities that you particularly enjoyed growing up? I was incredibly consumed by dance, I went to a conservatory school for college and continued to dance after college. Singing is a relatively new thing for me in my life, but it has all of the elements I loved about dance. Writing was also another hobby of mine. It was a huge surprise for my family (singing), because they put hundreds of dollars into recital training for me. Kat Cunning When did you realize that you wanted to pursue music? It was when I got my first dance job outside of college, at Company 14, which is called that because it’s based on the 14th century. The aesthetic was just really gorgeous, especially the couture costuming. There was both dancing and singing in the show and, because I wasn’t the best dancer in the company, I told the director that I could sing. He gave me a part, the New York Times reviewed me, and said that they were waiting for my album. So, the discovery of your singing abilities was almost accidental? Totally, it wasn’t something that I thought I could do. I spent my whole childhood focusing myself on dance. Still, dance is definitely one reason why I now try to represent queer artists. I’m a feminist, and I’m a sex positive, and body positive artist. Although we see a lot of plus sized, “curvy” women as well as thinner women, I’m a fit person that doesn’t fit perfectly into either mold, and I want to represent the full spectrum. There’s no wrong way to be a woman. You don’t have to be super thin to be a ballerina, or very curvy to represent womanhood. Listening to your songs, it’s easy to hear that you have a distinct sound. Are there any artists that have particularly inspired you? Music snuck up on me, so I’m not one of those artists that has many people I followed and was inspired by, in terms of singing and writing songs. Still, I can say James Blake, who mixes soul and R&B elements with electronic music. It’s really artful. Someone else that does a really good job with that is Lorde. My fans sometimes tell me that I sound like certain other artists, which is how I might see my own sound in others. When I discover those acts, it’s amazing. One of those would definitely be London Grammar, she uses a sort of operatic tone, but in contemporary music. For me, the most important thing in the music I’m making is that it has emotional integrity and that the story is there. The singers that I like represent that, and aren’t necessarily in my genre. As a writer, I try to say something smart, but also that people can connect with. I’m really excited to see Kendrick Lamar because he does so well with that. Are there any artists that you’ve always dreamt of working with? Kendrick Lamar, Lil Wayne, Mikky Ekko, James Blake, and Janelle Monae. When [Monae] came out with [her track] ‘Tight Rope’, my mind was blown. The headpiece I have on right now was designed by the person that made what she had on in her video for ‘I Like That’. Any particular styles of music you’d like to create in the future? What about EDM? I definitely want to find a really good dance music collaborator, whether they are remixing one of my songs or we’re making something original. I’m working on one right now called ‘Stay On The Line’, it has a contemporary, broken disco feel to it. I want to create something innovative and break the mold. Check out more of Kat’s awesome music on Soundcloud and Spotify, and look out for tour dates and upcoming shows on her socials. Follow Kat Cunning: SoundCloud | Facebook | Instagram | Official Website | Twitter
An informal jam at a party in July 1968 wound up resulting in some of the greatest harmonies of the rock era. That was when the trio of David Crosby, Stephen Stills and Graham Nash first sang together. All three had become famous in bands noted for their harmonies: Crosby with the Byrds, Stills with Buffalo Springfield and Nash with the Hollies. When the Hollies reached Los Angeles in 1966, Nash met Cass Elliott of the Mamas and the Papas, who took her to Crosby’s house in Laurel Canyon, where he was lying on a couch and instantly impressed Nash. But not with his music. “As he’s talking to me, on his chest he has a shoebox lid,” he recalled. “And without losing eye contact with me, he’s shaking this lid, and he’s separating the grass from the stems and the seeds. Perfectly. I’d never seen anything like this.” Later that night, Crosby took him to a party at the house of Peter Tork of the Monkees to meet Stills. Nash returned to England with a bunch of new friends. Watch Graham Nash Talk About Meeting David Crosby In October 1967, Crosby was fired during the sessions for The Notorious Byrd Brothers (the 1997 CD reissue features a hidden track of Crosby berating drummer Michael Clarke in the studio). Buffalo Springfield broke up six months later, so Crosby and Stills began working together, writing and recording demos. Meanwhile, Nash was feeling frustrated with the Hollies, wanting to record more ambitious material than the lightweight, albeit wonderful, pop with which they had made their name. (“On a Carousel” was released a few days before the Beatles put out “Strawberry Fields Forever” and “Penny Lane,” and “Carrie Anne” arrived the same week as Sgt. Pepper’s Lonely Hearts Club Band.) Their next single, Nash’s “King Midas in Reverse,” barely dented the U.K. Top 20. He’d also fallen deeply in love with Joni Mitchell, whom Crosby had brought to Los Angeles to produce her debut album. In Crosby Stills and Nash: The Biography, author Dave Zimmer writes that the location of that destined night differs depending on who you ask. Crosby claimed it was at Mitchell’s; Nash has alternated between Mitchell’s and Elliott’s houses, and both Stills and John Sebastian have said it was at Sebastian’s. But wherever it took place, everybody who was there agree on the details: At some point, Crosby and Stills began playing one of Stills’ songs, “You Don’t Have to Cry.” When they were done, Nash, blown away by the tune, asked them to play it again. And again. “On that third time, I’d learned the words, the melody — I knew what I was gonna do,” Nash recalled. “Whatever sound Crosby, Stills & Nash has was born in 30 seconds. That’s how long it took us to harmonize that way, so much so that we burst out laughing in the middle of the song. Because the Springfield and the Byrds and the Hollies were good harmony bands. We knew what we were doing. We’d been making records in harmony for years. But this was different.” “It was scary,” Crosby said in Zimmer’s book. “But once we new what we had, you could not pry us apart with a crowbar. We knew we’d lucked onto something special, man. We could hear it plain as day.” Listen to Crosby, Stills & Nash’s ‘You Don’t Have to Cry’ Between the magic of that evening, his dissatisfaction in the Hollies and his desire to be with Mitchell, Nash’s next move was simple: He left the band to work with the other two, calling themselves Crosby, Stills & Nash. They attempted to get a deal with Apple Records but were rejected. So Ahmet Ertegun signed them to Atlantic, the home of Buffalo Springfield, and the trio’s self-titled debut came out in May 1969. Success came immediately. Crosby, Stills & Nash spawned Top 40 singles in Nash’s “Marrakesh Express” and Stills’ “Suite: Judy Blue Eyes.” Then, in order to help out with live performances, they added a fourth member: Stills’ brilliant, but mercurial ex-Buffalo Springfield bandmate, Neil Young, and CSN became CSNY. Their first gig as a foursome was in Chicago on Aug. 16, 1969. Their second was the next day in front of 500,000 people at Woodstock. “It was like lobbing a live grenade into a vacuum,” Nash remembered. “Neil was a guy with immense talent who was utterly self-centered. Bands for him were merely stepping-stones, way stations to a personal goal. That’s the way it had gone down with Buffalo Springfield. They could never count on him at crunch time, never be sure he would turn up at gigs.” Crosby said that it was the circumstances, not necessarily the individuals, that created the problems. “If you give a bunch of very young guys millions of dollars and get them high as kites and let them loose, it’s just sort of inevitable.” Over the decades, they continued to record and tour — as a trio, a quartet, in splinter groups like the Stills-Young band and Crosby & Nash and as solo acts. They withstood numerous obstacles — personality clashes, Crosby’s incarceration on drugs and gun possession charges, the 1990 album Live It Up — but the three of them kept returning to each other because of that blend of voices. As Nash said, “Nobody has any claims on the notes that we sing, but nobody in the world can sound like me and David and Stephen when we join our voices together.” But by 2014, Crosby was unhappy with Young’s decision to leave his wife of nearly 40 years for actress Daryl Hannah. “I happen to know that he’s hanging out with somebody that’s a purely poisonous predator now,” Crosby said. “And that’s karma. He’s gonna get hurt. But I understand why it happened. I’m just sad about it. I’m always sad when I see love get tossed in the gutter.” Within a month, Young told an audience that “CSNY will never tour again, ever.” Two years later, the affable Nash, who had often served as the peacemaker, revealed that he too could no longer work with Crosby. “I’ve been there and saved his fucking ass for 45 years,” he said, “and he treated me like shit. You can’t do that to me. You can do it for a day or so, until I think you’re going to come round. But when it goes on longer, and I keep getting nasty emails from him, I’m done. Fuck you.” Masterpieces: The Very Best Albums From More Than 100 Classic Rock Acts
Get ready! Halloween 2018 just got better as Insomniac announces the return of West Coast’s largest and most frightening two-day dance music festival Escape: Psycho Circus 2018, the 8th installment. It will be held at the NOS Events Center for two monstrous nights of festive frights and spine-tingling fun. In 2017, record-breaking 125,000 people left Psycho Circus amazed and full of memories. Escape: Psycho Circus 2018 There’s no doubt that Insomniac’s about to break another record this year once again. Insomniac is known for producing some of the most innovative, immersive music festivals and events in the world. Enhanced by state-of-the-art lighting, pyrotechnics and sound design, large-scale art installations, theatrical performers and next-generation special effects, these events captivate the senses and inspire a unique level of fan interaction. The quality of the experience is the company’s top priority. Escape: Psycho Circus photo credit Insomniac Get ready to create more memories on Friday, Oct. 26 and Saturday, Oct. 27, Headliners will come together under a real-life tent full of terrors in an immersive journey through the haunting Psycho Circus. Expect nothing but the best circus amusements, nightmarish décor and of course, world’s top leading dance music artists. Each evening will come alive as fans get lost amidst sinister mazes, dance amongst creepy costumed characters, and become entranced by glow-in-the-dark environments and art installations. Escape: Psycho Circus photo credit Insomniac Escape: Psycho Circus photo credit Insomniac Escape: Psycho Circus photo credit Insomniac Escape: Psycho Circus photo credit Insomniac Escape: Psycho Circus photo credit Insomniac The “Escape Asylum” will return once again, but with more thrill this time! Transporting thousands of fans into a nightmarish maze of twisted Wonderland characters and storylines. The unforgettable experience transports fans through 30 distinct environments featuring more than 120 costumed performers amidst 32,000 square feet of movie-quality set designs and special effects. The upgraded Asylum design will feature an additional “padded room,” one of the first stops along the immersive theater experience into the Mad Hatter’s mind, designed to double the amount of attendees going through the Asylum each night while minimizing wait times. Escape: Psycho Circus photo credit Insomniac Fans are now getting ready to score their tickets for Escape: Psycho Circus 2018 as they go on sale Friday, July 13 at 12 p.m. PT on EscapeHalloween.com & two-day GA prices begin at $159.95 plus taxes, VIP prices begin at $309.95 as they are sure to sell out fast once it has been released. 2018 LINEUP COMING SOON… Meanwhile, check out the stacked roster from 2017. Escape: Psycho Circus 2018
You can listen to the 10-minute song below. The reissue was announced earlier this year, with attention focusing on the “Locked N’ Loaded” edition, which retails for $999, is limited to 10,000 units and contains more than 80 items alongside the original album and 49 previously unheard tracks. UMe president and CEO Bruce Resnikoff recently explained why the box set — which he said was not the most expensive ever, but it was the most extensive — was made. “We have a certain reverence for the band, the music and the fans,” he said. “And while we spoke a bit and thought about it, until the timing was right where the music, the band and the fans all got aligned, we left it on the back-burner, only because you only get one chance to do something special with bands like this and particularly albums like this, and it had to be done at the right time and the right way and create the right experience.” He noted that “it was amazing that so much was of a quality that was consistent with the sound, the image and how current the band remains.” Meanwhile, Knucklebonz announced the release of a limited-edition Appetite for Destruction 3D album sleeve, which features the original artwork recreated in resin, with the main elements rising out of the cover. Only 1,987 copies will be made available, at a price of $249, with a 10 percent discount during the pre-order period. The models will ship sometime the summer.
Meet Pluko; Previously know as Pluto, he’s an 18 year old producer who’s been in the game since the youthful age of 15. Don’t let his age fool you, though. Sam Martinsen is already gaining respect from some notorious names in the industry and for good reason. photo credit Pluko Pluko made his debut appearance at this year’s annual Firefly Festival held in Dover, Delaware. Firefly is a festival well-known for drawing big crowds and booking a diverse selection of prominent artists. The lineup this year featured Lil Wayne, The Arctic Monkeys, Odesza, MGMT and a highly anticipated performance by Eminem. While official numbers are still being calculated, overall attendance was expected to fall between sixty and ninety thousand. Even Terry Crews was there. Pluko took the stage in the early afternoon of the final day of the festival. His set was a perfect way to start the day, especially considering his good friend’s Odesza closed out the night. Take a closer at what he had to talk about after his set ended. While getting to know him, listen to and download for free his collaboration with ye. Is this your first Firefly? What have been your favorite festivals so far this year? This is my first time at Firefly. I played Coachella earlier this year which was awesome. I got an opportunity to play a lot of new music. I’m also playing Hard Summer later this year. You are really setting the tone perfectly for this beautiful Sunday in Dover, as Whethan and Odezsa will be playing tonight. You fit right in with those guys’ sound. Have they been an inspiration to your work? Or who has been the most influential on your music? Yeah I’m pretty involved with the Odesza guys. I actually just went on my first tour with them for 3 weeks and opened for them at Red Rocks. Earlier this year I was signed to their label (Foreign Family Collective) which I’m honored by. You can definitely see some of the similarities between our sounds. We really like your Outer Thoughts mixtape, you get super experimental and bassy. What is one creative way you have created sounds for your music? I mostly use synths but I’m getting into auto tuning my own voice. You can get a taste of that on my upcoming album. Listen to and download for free Pluko’s outer thoughts vol. 4: What is one of your favorite production effects to use? What is your favorite instrument to incorporate into you music? There’s a program I really like to use. It’s called Movement and it has all sorts of crazy effects. You can distort sounds, make them flutter and change the frequency’s. It’s a lot to learn but there’s so much that can be done with it. Your new singles ‘Pink’ and ‘need ya’ (feat. Nevve) are on-point! How would you describe them? Thank you! People seem to have a really positive outlook on both songs. Especially ‘Need Ya’. Nevve is super fun to work with. I played that track live for the first time at Coachella. It brings a lot of good energy to the dance floor and you can tell it makes people happy Listen to Pluko’s “Need Ya” feat. Nevve:What is your favorite thing about playing music? That’s a tough one! I’d have to say seeing the crowd’s reaction. It’s a pretty cool experience to be up there in front of people sharing music I made. It’s a humbling experience and I really like making people happy. The music speaks for itself. What is next for you? Do you have any new collaborations or new releases in the works, we can start to get excited about? We have a lot going on. There’s my first album that’s being released at the end of the summer. The album has been in the works for a while now so i’m looking forward to officially releasing it. Also, a tour later in the year. A lot of things to look forward to right now. Pluko signs to Odesza’s label Foreign Family Collective I hope it is not a sensitive subject for you, but how did that conversation go with Disney about your former moniker, Pluto? Haha it really wasn’t too bad but as I started to attract more attention we knew it was something that had to be taken care of. Especially before the album came out. The name change was really simple considering we only changed one letter. It was kind of a weird thing because it changed pretty suddenly. People may have been confused but I don’t think any fans were lost over it. Do you believe Pluto should still be a Planet? Pluko: Haha it could go either way really. I thought they re-instated it as a planet earlier this year? Pluko’s Manager: Actually they announced that on April Fool’s day but hilariously enough it turned out to be a prank.. What is your favorite part about Firefly? Honestly, everything has been great so far. Everyone has been really accommodating. The food is amazing. They also have a puppy area and goat yoga! Any other news comments that you would like to share with our readers? Just that we have an exciting future in store considering both an album and tour are closing in. We’ve done a lot leading up to this point and there’s no signs of slowing down yet. This may not have been our first opportunity to chat with Pluko, but this time around he’s made substantial growth as an artist. A new name, new label and a new album all just in 2018. When you add the fact that Odesza serves as Pluko’s mentor, it seems apparent that his career is on an upward path to even bigger accomplishments. Follow Pluko:
As a particular classic rock song has noted, the kids are alright. In the gallery below, you’ll see what the children of many of our favorite musicians have followed their own creative pursuits. In many of the cases, their children have tried their hands at music. While some of them have gone on to great fame, like Julian Lennon, Jakob Dylan and Jason Bonham, others have yet to fully establish themselves. It also helps when both parents are musicians, such as with the offspring of James Taylor and Carly Simon, Kurt Cobain and Courtney Love and Loudon Wainwright III and Kate McGarrigle. Then there are those – such as the progeny of Eddie Van Halen, Cheap Trick’s Rick Nielsen, Glenn Frey and Eddie Money – who have joined their parents’ bands. Then there are those, like Dweezil Zappa and Malcolm Bruce, who have balanced their own careers while also forming bands that pay tribute to their late fathers. Acting has been another career choice for them. The kids of Phil Collins, Lenny Kravitz, Steven Tyler and his former Aerosmith bandmate Rick Dufay have all gone on to successful and acclaimed careers on the small and big screens. David Bowie’s son Duncan Jones and Peter Gabriel’s daughter Anna-Marie have become known for their work behind the camera. And, of course, there’s modeling. The daughters of Mick Jagger, Keith Richards, Simon LeBon and Bob Geldof have all chosen to follow in their mothers’ footsteps, doing runways and photo shoots. For others, like Stella McCartney, Jade Jagger and Diva Zappa, another aspect of the fashion industry – designing – has brought them success. Find out more about their lives and many more below.